“Few prowlers were so much feared as Montparnasse. At eighteen, he had already left several corpses on his track. Frizzled, pomaded, with slender waist, hips like a woman, the bust of a Prussian officer, a buzz of admiration about him from the girls of the boulevard… such was this charmer of the sepulcher.”
thi is so beautiful. he looks pretty but deadly. those knuckles have hit one men too many. the almost-pout and lighting on that cravat asdgjlad;a!
It’s post-traumatic stress, and Rhodey can tell.
Tony has really retreated after the events of ‘The Avengers’ into his workshop, where he’s building advanced versions of his suits. He has now even has a version of the suit that can latch onto him in individual pieces … anytime, anywhere. As he starts to realize, it’s basically because he doesn’t want to be out of the suit. He’s seen a lot of things in ‘Avengers’ and has encountered a lot of powerful people, much more powerful than he is, and has made a lot of enemies.
“He’s been building nothing but suits and suits and suits and suits- it’s an obsession.”- Joss Whedon
imagine a world where all living beings coexist with each other, like you go to the market and a bear is packing your groceries. You drive home and you see tulips playing soccer, that’s the world i wanna live in.
what do people do if they’re not obsessed with anything
The music from Chicago.
if classical instruments being used in rock music isn’t the tightest shit ever then tell me what is